{"id":1163,"date":"2026-02-04T20:19:12","date_gmt":"2026-02-04T20:19:12","guid":{"rendered":"https:\/\/claunodromo.com\/?page_id=1163"},"modified":"2026-02-04T23:39:17","modified_gmt":"2026-02-04T23:39:17","slug":"about-eng","status":"publish","type":"page","link":"https:\/\/claunodromo.com\/?page_id=1163&lang=en","title":{"rendered":"ABOUT ENG"},"content":{"rendered":"\t\t
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LAUGHTER IS A SERIOUS MATTER<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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We are dedicated to exploration, learning and creation
through clowning and its intersection with other artistic disciplines.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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We are a clown company with more than 15 years of experience, based in Guadalajara, Mexico. Our work explores the language of clowning in dialogue with other disciplines such as dance, physical theater, circus, and cinema, creating works that range from the intimate to the universal.<\/p>

From our beginnings in the variety show format to pieces such as \u201cSon\u00e1mbulos,\u201d \u201cLl\u00e9vame,\u201d \u201cEl fr\u00e1gil vientre de la bestia,\u201d and our upcoming work \u201cInS\u00f3lito (2026),\u201d\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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we have built an art form that reflects, is shared, and is experienced through laughter with the audience.<\/p>

We have performed at national and international festivals, from the Santa Luc\u00eda Festival (Mexico) to stages in Brazil, Colombia, Argentina, and Poland.<\/p>

Today, we are a benchmark for contemporary clowning with Mexican roots: a space where comedy is thought out, tradition is reinvented, and laughter transforms us.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SHOWS<\/div>\t\t\t
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Presentations<\/div>\t\t\t
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Awards<\/div>\t\t\t
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Festivals<\/div>\t\t\t
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<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t
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CLAUN\u00d3DROMO COMPANY<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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COMPANY DIRECTOR AND CLOWN<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Michel Alzaga<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mexican clown and artist, stage director, and videographer. His work has focused on two areas: comedy and dance. His processes are permeated by physical humor and cinema.
A full-time autodidact, he first encountered the circus at the Vancouver Circus School before entering the Jalisco School of Arts, where he focused on the performing arts, and then studying for a diploma in cinema at the University of Guadalajara. He has continued his studies in clowning and physical theater in Brazil, Spain, and Argentina. His artistic references range from performance art, painting, comedy cinema, butoh dance, and contemporary circus.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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clown, equilibrist and equestrian<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mireya Guzm\u00e1n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Artist with a background in circus, management, and equestrian art. Since his early training (2009) in visual arts, dance, and sports, he entered the circus arts where he developed a stage language that integrates contortion, aerial dance, and comic techniques (clowning, buffoonery, and physical theater). With specialized training in tightrope walking, perfected at the Funicular Circus Volc\u00e1n (Panama), he has collaborated professionally with leading independent companies and promoted self-managed cultural projects. In 2021, she incorporated equestrian art, training in vaulting, free dressage, and horse riding, which gave rise to her debut work Wanderlust (2022). She is currently part of the Vitana Equestrian Ensemble as a stage trainer, performer, and co-director of the show Munay.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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producer, dancer and clown<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Germ\u00e1n Aguila<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Multidisciplinary artist with a degree in Graphic Communication Design who has developed his career in physical theater, clowning, mask theater, performance art, contemporary dance, and dance theater. As an actor, he has worked in both theater and film. He has also served as a stage and audiovisual producer, art director, and production designer. He is currently part of the Phi.Movement company, the representative group Gineceo Danza Contempor\u00e1nea, and the Claun\u00f3dromo.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Laura Castellanos<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Performing artist, teacher, and graduate in performing arts for dance expression from the University of Guadalajara. She has continued her training with national and international professionals from the current scene, such as the modern dance course with the Cuba Danza company in Havana and the contemporary movement program \u201cRev\u00e9s\u201d in Costa Rica. She has participated in more than 20 professional productions that have developed her skills in mask theater, documentary theater, as well as clowning, mime, puppetry, and recently as a creator, choreographer, and movement director.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CLOWN AND STAGE CREATOR<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Manuel Ariga<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Clown artist, stage director, and acting coach with a focus on cinema. In recent years, he has worked on developing a methodology for stage creation for comedy through clowning tools such as pantomime, physical comedy, comic dance, and visual poetry. He also seeks to influence and study other disciplines such as music, cinema, performance, and painting to enrich the work that the artist proposes.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ana Alatorre<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bachelor of Performing Arts for Dance Expression
from the University of Guadalajara. She began dancing at the age of 6 and has trained in techniques such as classical dance, jazz, Polynesian dance, hip-hop, contemporary dance, dance theatre, Latin rhythms, Cuban salsa, salsa on2, among others.
Choreographer, dancer, and teacher of the \u2018Urbedanza\u2019 workshop methodology of the RedesArte Cultura de Paz Programme. From 2014 to 2017, she was part of Ajna Danza Contempor\u00e1nea in shows such as \u2018Piloteando mi Vida\u2019 and \u2018Bla bla bla\u2019. Since 2015, she has been a member of Colectivo Extracto with projects such as \u2018Tiempo de latidos,\u2019 \u2018A donde fueres, haz lo que vieres\u2019 and \u2018Flor de Jeric\u00f3\u2019 and in the flamenco dance company Canela Fina.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Nano Cano<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bachelor of Visual Arts with a focus on Photography from the University of Guadalajara.
He has trained in various areas such as photography, dance, clowning, circus arts, and theater. As a teacher, he has given workshops focused on stage design and lighting, his main artistic activity to date. He has participated in various national and international theater projects and festivals as a theater technician, director, lighting designer, set designer, stage painter, performer, and\/or actor.
In 2015 and 2017, he won the award for best lighting at the Jalisco State Theater Festival. In 2021, he founded \u201cEL UMBRAL,\u201d a studio-workshop for training, creation, and management in the development of stage design.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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composer<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Janine Job<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tFacebook-f<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tInstagram<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mexican musician and artist. Violinist, improviser, and composer focused on new and experimental chamber music, music for the stage, performance, and inter\/transdisciplinary projects. Liminality, proximity, and gender perspective permeate her processes, both for individual and collaborative projects. She has participated in festivals in Peru, Chile, Ecuador, and Germany. She is currently pursuing a master’s degree focused on performance and contemporary composition in different countries of the European Union.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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photographer and videomaker<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Daniel Maga\u00f1a<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tFacebook-f<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tInstagram<\/span>\n\t\t\t\t\t\t<\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Multidisciplinary artist, audiovisual director, dancer, photographer, and neurophysiological therapist. In recent years, he has devoted himself to studying the body, movement, and its relationship with the camera. Butoh dance, kung fu, and freediving are some of the disciplines that inspire him. Other fields of study include cinematography, video dance, and performance. He currently provides psychomotor and body awareness therapy for children using the Vardi method at MeM. He is a member of the Camino.cuerpobutoh dance company and the Phi Movement collective in Guadalajara.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

LAUGHTER IS A SERIOUS MATTER We are dedicated to exploration, learning and creationthrough clowning and its intersection with other artistic disciplines. We are a clown company with more than 15 years of experience, based in Guadalajara, Mexico. Our work explores the language of clowning in dialogue with other disciplines such as dance, physical theater, circus, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1163","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/claunodromo.com\/index.php?rest_route=\/wp\/v2\/pages\/1163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/claunodromo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/claunodromo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/claunodromo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/claunodromo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1163"}],"version-history":[{"count":4,"href":"https:\/\/claunodromo.com\/index.php?rest_route=\/wp\/v2\/pages\/1163\/revisions"}],"predecessor-version":[{"id":1167,"href":"https:\/\/claunodromo.com\/index.php?rest_route=\/wp\/v2\/pages\/1163\/revisions\/1167"}],"wp:attachment":[{"href":"https:\/\/claunodromo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}